While you don’t get as good visual feedback (besides a couple of exceptions), graphic EQs are a great way to learn the frequency spectrum as you can hear exactly what you’re boosting and cutting each time. No, it’s not graphic in the sense that it shows you what you’re adjusting on a graph, but it has a slider for a number of fixed frequencies across the spectrum. Graphic EQ is less common but still has its merits. Parametric EQ is what we’ll be focusing on in this guide. Most parametric EQs these days feature a user interface that displays the curves of your boosts and cuts, but older ones tend to feature only knobs. This is the stock standard you’ll find in 90% of DAWs, and is the one pictured above. Two Types of EQīefore we get into the technicalities of EQ, it’s important to consider the different types of EQ. Even synths like Serum have basic EQs built-in for sound design. It’s a fundamental tool used in music production, mostly for mixing but also for creative sound design. Most traditional and modern EQs act in this same way, with subtle differences between each variety. It makes sense, right? We can use EQ to make a dark track sound brighter, give a thin track more body, and a whole lot more. You can think about equalizers as volume control for different parts of a sound – bass, treble or anywhere in between. These curves represent changes to the frequency spectrum, from low to high (left to right). While it might sound obvious to some, it’s important we start from the beginning.Īt its core, EQ, short for equalization, lets you change the volume of specific frequencies of a sound.
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